Fuzziness in words helps keep us off-track on emotions.
For example, the words FEAR, SADNESS, ANGER, and
HAPPINESS are not just EMOTIONS all by themselves, but
also they are used to refer to categories of EMOTION.
Revising our definitions helps get us on track with our emotions.
CORE
HYPOTHESIS #1:
Knowing the SENSATION, movement and meaning
of any EMOTION or FEELING makes us more effective in working with
it.
COROLLARIES
TO HYPOTHESIS #1:
• Every
EMOTION and FEELING
Has a specific movement
and meaning.
• Nothing
is ever “just” physical.
Physical
reactions always have both physical and emotional
meaning.
• Nothing
is ever “just” emotional.
Emotions
are both physical and psychological.
For example: A bitter taste is always a bitter experience, no matter how trivial.
For example: If you’re in an emotional slump, it’s
harder to sit up straight.
CORE HYPOTHESIS #2:
There are four pure EMOTIONS each of which has a unique
SENSATION. FEAR, SADNESS, ANGER and HAPPINESS are the four
pure EMOTIONS. Vibration, stillness, pressure and lightness
are the respective four pure SENSATIONS.
The Four Pure Emotions
EMOTIONS
Action
Feels like...
FEAR
Energize
Loose vibration
SADNESS
Digest experience
Soft stillness
ANGER
Change action
Tension/Pressure
HAPPINESS
Go same direction
Lightness/Momentum
CORE HYPOTHESIS #3:
In the same sense that red, yellow and blue are the
three pure colors that can combine to form seven primary colors,
the four pure emotions combine to form 22 primary emotions.
In other words, in the same way that artists mix the
pure colors to get other colors, two SENSATIONS can be mixed
to produce three new SENSATIONS.
Here’s how it goes:
In the following charts, the >, =, and < signs
indicate the relative intensity of the two pure emotions. “ > ” means “the first emotion
has greater intensity than the second emotion in the mixture.” “ = ” means “the first emotion is
equal in intensity to the second emotion in the mixture.” “ < ” means “the
first emotion has less intensity than the second emotion in the
mixture.”
Mixing the vibration of FEAR with
the stillness of SADNESS we get ..
SENSATION
Feels like
EMOTION
Tells us
tingling
vibration > stillness
VIGILANCE
Watch out
breaking
vibration = stillness
PAIN
Seek information
numbness
vibration < stillness
INDIFFERENCE
Stop caring
Mixing the vibration of FEAR with
the pressure of ANGER we get ..
SENSATION
Feels like
EMOTION
Tells us
pulling
vibration > tension
AVOIDANCE
Dodge, or retreat
touching
vibration = tension
COURAGE
Balance retreat with advance
pushing
vibration < tension
AGGRESSIVENESS
Advance
Mixing the vibration of FEAR with
the lightness of HAPPINESS we get ..
SENSATION
Feels like
EMOTION
Tells us
startling
vibration > lightness
SUPRISE
Something different but OK happened
jumping
vibration = lightness
JOY
Something is great
wiggling
vibration < lightness
EXCITEMENT
Something good is starting
Mixing the stillness of SADNESS
with
the pressure of ANGER we get ..
SENSATION
Feels like
EMOTION
Tells us
contraction
stillness > tension
HELPESSNESS
Don't act
waiting
stillness = tension
PATIENCE
Wait
flailing
stillness < tension
IMPATIENCE
Act now
Mixing the stillness of SADNESS
with
the lightness of HAPPINESS
we get ..
SENSATION
Feels like
EMOTION
Tells us
resistance
stillness > lightness
PESSIMISM
Orient toward bad outcome
absorbtion
stillness = lightness
HUMILITY
Take in what comes
stretching
stillness < lightness
OPTIMISM
Orient toward good outcome
Mixing the stillness of ANGER with
the lightness of HAPPINESS
we get ..
Since FEAR feels like vibration, or shaking, which
heats up your body...
Shake all over like a Labrador retriever shaking out a coat full
of water, spraying water everywhere.
Do the ‘Elvis’ (knees vibrating
toward and away from each other, elbows flapping in and out).
Do the Twist (churning your limbs around your spine like a washing
machine churning clothes)
Jiggle a leg, or twitch some muscle, or an eye...or just blink
fast, repeatedly.
To let your face fully show fear, make a
jaw-dropped ‘O’ of
your mouth, and open your eyes wide. Take fast, shallow, panting
breaths.
To ‘physicalize’ SADNESS...
Since SADNESS feels like stillness, whichquiets
your body and mind...
Lean on your hand, or tip over onto your side
on some pillows. Then,
just breathe.
Breathe easily in and out your nose to emphasize
the digestive activity of sadness—‘respiration’ is ‘digestion'
at the cellular level.
Let your face rest. Imagine tensions anywhere
in your body as coiled, dark springs. See them losing all their
tension and loosely dropping to the ground,
to be absorbed and recycled by Mother
Earth.
Let your mind rest. Thank
both your good and bad thoughts
for wanting to help. Then imagine putting them
in bubbles or balloons and letting them float up and away, into
your unconsciousness.
To ‘physicalize’ ANGER...
Since ANGER feels like tension, which is the experience
of strength or force in your body...
Narrow your eyes and
compress your lips into a horizontal line, teeth firmly together.
Tighten all your muscles—abdominal and
back muscles and straightened arms, legs,
fingers and toes. Hold, isometrically for
a few seconds, then release.
If you care to repeat the sequence
several times, you will note that a physical SENSATION
of lightness will occur after several repetitions: the
HAPPINESS that comes from safe application of ANGER.
Breathe firmly and
fully in your nose, exhale fully and firmly out
your nose.
If you care to repeat that breathing for
a while, you will note that you will feel light-headed (hyper-ventilated):
the feeling of runaway HAPPINESS that you can’t use
quickly enough, from not applying your ANGER constructively.
To physicalize HAPPINESS...
Since HAPPINESS feels like lightness, which is the experience of
momentum in your body...
Sitting or standing, move in a dance-like, sinuous wave of your
spine.
Wave your mostly straightened arms and fingers.
Wave your legs and toes without any sharp
bends in joints.
Smile with slightly parted lips, and bright eyes.
Breathe lightly in and out your nose.
If you have trouble getting a light SENSATION,
go back to ANGER section above, and repeat tightening and letting
go until lightness comes. Use the swaying and waving movements
of this exercise to help the SENSATIONS of HAPPINESS reach your
consciousness.
Certain parts of your body specialize in expressing and experiencing
each of the four pure SENSATIONS.
COROLLARIES TO HYPOTHESIS #6:
One division is segmented (see An Anatomy of Feelings
below).
One division is by meridians that originate in fingers
and toes:
Little finger to little toe = body (drives) meridian.
Ring finger to fourth toe = heart (passions) meridian.
Middle finger to third toe = soul (intuitions)meridian.
Index finger to second toe = mind (perceptions) meridian.
Thumb to big toe = spirit (expectations) meridian Note:
Utilization of this level of division is practiced in yoga-Tantric “mudras” or
finger positions.
One division is biochemical (see below).
One division is cellular (not clarified yet: membrane
= body? nucleus = heart?)